Mr Cronenberg’s films were of the type distinctly not welcome in our house growing up. They were the sort my parent’s slave mentality would call dirty films. Not good or bad artistically. Dirty. Videodrome (1983), The Fly (1986), Crash (1996) and eXistenZ (1999) are movies that totally affront the values of mainstream society. I imagineContinue reading “Why Modern Cinema Needs David Cronenberg.”