Documenting the need-not-apply end of the global social scale.

Geistbusters

On nudity, nihilism and new genres: what do yesterday’s sexploitation filmmakers have to tell us about the genres of tomorrow’s cinema? If you’ve seen any of Spider Noir, like me you might have tuned out, underwhelmed at its simulacra low-contrast black and white cinematography. Celebrated? Much of it was a wishy-washy middle-grey mess. As with…